During the long, isolating months of 2020, and at the start of bright new year 2021, wildlife photography has been one of my constant comforts. Like all photography, it challenges one with its surprising combinations of accidental conditions, changes in lightning, and need to attempt pushing the boundaries of technology. When photographing animals, there is the additional challenge of trying to keep cover, stay silent and undisturbing, while simultaneously trying to find the perfect angle of view, and artistic composition to the subject.
I suppose many professional wildlife photographers resort to the use of purpose-built wildlife hides, and some kind of baits to increase the odds of seeing a rare animal in the first place, and then getting it into a position where an impressive composition – with the right light, background, depth of field, etc. – can be achieved. If one is under the pressure to produce results from one’s photography, such approaches obviously make a difference.
As a hobbyist photographer, I am happy to just go out and enjoy the nature. If I’d see wildlife that is a plus, and having some kind of photograph from the encounter is even more special. The common skills of nature photographers are something that I continue to learn, slowly over the years. Moving slowly and quietly – using one’s ears a lot: listening bird sounds, tiny cracks or snaps within the foliage. I have gradually started to realise that moving restlessly from photo position to another will make me less likely to achieve anything, and also lessen the mental effects of nature photography as a sort of ‘zen practice’ towards joy and peace of mind.
It is good to wake up early, make some sandwitches and coffee, and be at an interesting site before the sunrise. The upside of short winter days of the North is that “before the sunrise” can be rather easily achieved, during the winter months.
It is also interesting to learn to read the tracks: combining whatever knowledge one has about the daily and annual rhythms and behavioural patterns of different species can be combined with the signs, footprints and animal tracks that are particularly visible in fresh snow. Seeing the tracks tells stories, and one can learn that at least there are certain species in the area, even if they are too wary to make an appearance.
I think Hannu Hautala, the famous Finnish wildlife photographer veteran had sometimes said that luck favours the hard workers (or something like that). I do not really have time, opportunity or motivation to make long nature photography trips into exotic or spectacular places. I just move around our home and city, sometimes making small hiking trips in the close surrounding forests. And I do not put too many hours into this, and accept that my odds are thus not very high for seeing anything except the most common species of birds and animals that can be met in this area. But it is fascinating regardless to see what one is able to make out of those rather modest starting points.
Today I met an energetic, furry fox hunting for bank voles during my morning photo walk. It was rather dim, it was cloudy, and there was a bit of snowfall. But fresh snow made everything soft and somehow luminous, and I was happy to test using silent shutter and long telephoto (600 mm in crop, equal to 930 mm full frame) not to disturb the fox too much. It could see me, and moved a bit farther away to continue its hunting. There must have been plenty of bank voles; I counted it catching at least three while I was watching.
Another happy encounter in the life of amateur nature photographer. It is moments like these that enrich our lives, and motivate one to find fresh respect for the beauty and diversity of nature.
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