Valokuva, taide – taidevalokuvaus?

”Jänö” (Frans Mäyrä, 24.2.2020)

Ystävä kutsui pohtimaan, mikä tekee valokuvasta taidetta. En sen enempää seikkaile tässä taideteorian alueelle, mutta koetan vastata kuvaparilla. Molemmat ovat eilisen iltapäivän “kamerakävelyltä”: jänön kuvasin ensin, erään naapurin puutarhassa, marjapensaan alta mietiskelemässä. Toisessa kuvassa olen kuvannut teleobjektiivilla ojanpenkalla olevia ruohoja ja sammaleita – makuuasennosta, jotta sain tämän (oudon/uhkaavan) leudon helmikuun matalalta paistavan iltapäiväauringon valon muotoiluominaisuuden ja lyhyen syväterävyyden hyödynnettyä. Molempia oli ilo kuvata – ne siis tuottivat itse luomisprosessillaan iloa ja tyydytystä.

”Tutkimaton tie 3” (Frans Mäyrä, 24.2.2020)

Painotukset olivat kuitenkin hieman erilaiset. Toisen kohdalla oli ennen kaikkea mukava kohdata arka villieläin ja onnistua teknisesti saamaan suht terävä kuva siitä; pensaiden välistä siilautuva valaistus ja sommittelu ovat tietysti iso osa kuvaa, mutta tässä otoksessa ei juuri ole mitään erityisen kokeilevaa – sen estetiikassa dokumentoiva funktio on keskiössä. Sen sijaan tuon ojanpenkan kuvan kohdalla syttyi hieman enemmän nimenomaan oivalluksen iloa. Valokuva taidemuotona on aina tietyn hetken ja olosuhteiden luoma jälki käytetyssä välineessä (filmissä, valokuvapaperissa, digitaalisella kuvasensorilla), ja sen luovat mahdollisuudet elävät kiinnostavassa jännitteessä toisaalta itse kohteen ja olosuhteiden tarjoaman tilanteen, näkymän – ja toisaalta valokuvaajan luovan panoksen kuten kuvakulman, sommittelun, rajauksen, syväterävyyden, valitun sävyjen ja värien maailman kaltaisten tekijöiden välillä. Likaiseen ojaan makaamaan ryhtyminen ei olisi jotain mitä tavallisessa arjessa tekisin – eikä ojanpenkan kuivat ruohot ja hiekansekaiset sammaleet ole jotain mitä oikeastaan päivittäin pysähtyisi kohteena ihailemaan tai ihmettelemään. Kun siis siirryn itse dokumentaarisuudesta hieman taidevalokuvauksen suuntaan, siirrän painopistettä kuvassa oman luovan panokseni ja kohteelle itse antamani merkityksen puolelle.

Olen joskus miettinyt, että “taiteella” on itselleni aina kahtalainen luonne: toisaalta se on jotain kulttuurista ja jaettua, jolloin voidaan keskustella esimerkiksi taiteellisista arvoista ja arvottamisesta yhteisöllisesti muodostuvien kriteerien kautta. Mutta itselleni vähintään yhtä tärkeää on taiteen tekemiseen ja kokemiseen liittyvä yksityisen kokemisen ulottuvuus. Näillä kahdella on varmaan jotain kosketuskohtia, mutta ainakin omalla kohdallani melko usein jokin (esim. institutionaalisen taidekäsityksen näkökulmasta hyvinkin arkinen, vähäpätöinen tai mielenkiinnoton) asia onnistuu synnyttämään henkilökohtaisen taide-elämyksen. Tässä on vähän ehkä samaa henkeä kuin vaikkapa ITE (“Itse Tehty Elämä”) -tyyppisessä, kouluttamattomien taiteentekijöiden naivistisessa tai “arkitaiteellisessa” luovuudessa.

Tai, toisessa suunnassa, vaikkapa situationistisen taidekäsityksen vallankumousajattelussa: taide pitää irrottaa kapitalistisen yhteiskunnan tuoteajattelusta ja galleriataiteen kahleista, ja nähdä se ainutkertaisina elämyksinä, tapahtumina, kokemisen tapoina ja performansseina – jotka kuuluvat kaikille, kaikkialla, arjen esteettisyyden ja merkityksellisyyden elämistä syventävinä ulottuvuuksina.

Niinpä tuossa “makaan ojassa ja kuvaan epätarkkoja sammaleita auringon laskussa” -jutussa on itselleni merkittävänä juurikin itse performanssin ulottuvuus: että pistän itseäni edes hieman, tämän verran likoon, ja katson jotain pientä ja vähäpätöistä ilmiötä hieman eri silmälaseilla kuin rutinoidun arkikiireen keskellä. Toisaalta näin itse näissä sammalissa jotain hieman sadunomaista – ehkä hehkuva ruoho ja sammal ovat oikein tarkoin silmin katsottuna sittenkin suunnattomia asioita? Ehkä ne ovat osa loputonta ja ääretöntä metsää, luontoa, olemassaolon käsittämättömyyttä, jolle vain jokapäiväisessä elämässä yleensä on sokea?

Ja ehkä valokuvataiteen alueelle siirtyminen itselläni voisi merkitä juurikin tällaisia oivalluksia, tilaisuutta nähdä ja kokea toisin, syvemmin, kuin yleensä.

Mutta kyllä minä silti aion kuvata noita jänis- ja oravakuvia ihan tyytyväisenä myös, edelleenkin. Kun jotain asiaa tekee harrastuksena eikä vakavana ammattiprojektina, on helpottavaa juurikin että voi siirtyä rekisteristä toiseen ja leikitellä – välillä tehdä jotain pienimuotoista, tai täysin tavanomaista, käsityönomaista – välillä irrotella, tai tuottaa vaikka vitsejä jotka eivät avaudu välttämättä kenellekään muulle. Ja olla siihen tyytyväinen. 🙂

Towards the chili season 2020

Chili seeds.
Chili seeds.

There are already few hours of (dim) sunlight per day, so it is again time to start thinking about the next chili season. There were some lessons to consider from last year (one of new hydroponics approach – you can read more in my garden thread/category of this blog: https://fransmayra.fi/category/garden/).

One of the lessons was that “slow” chilies and the cold Finnish summer do not go together very well. I am not willing to use electric heaters for extended periods just to keep my plants alive in the greenhouse. Thus, I have decided to remove Rocoto varieties from my selection. They are nice, large chili peppers, but many are also too slow to grow and ripen for my approach.

Another lesson from last year was sort of “positive problem”. The hydroponics is almost “too good” cultivation system for me. The plants really grew large in the new AutoPot 4pot system I got year ago. I had trouble last spring when plants were already so large in April that move from my basement into the outdoor greenhouse would have been necessary, but there was a “takatalvi” (cold spell, with more snow), and I was stuck with them. And when it was warm enough in May, the plants were far too large to be safely carried around, and had suffered from lack of direct sunlight. It was a sort of minor disaster. (See my post at: https://fransmayra.fi/2019/05/30/chilies-in-the-greenhouse/.)

Thus, while I can start thinking about the varieties to grow, I will not germinate them yet.

I need to get my priorities sorted out first. As shown in the above image, I have a lot of chili seeds (these are all ordered from the trusty FataliiSeeds.net store, I think). It makes no sense to try growing too many varieties at the same time, when in reality I have room for maybe 4-6 fully grown plants in the greenhouse.

My initial idea for this year is try to find more compact varieties – so I dropped any chili which says “Mammoth” in its name, for example. After that, there are just two main principles this year:

  • one or two chilies that are just of right strength and taste for actually eating
  • one or two chilies that are beatiful and interesting.

My current “shortlist” of chili seeds of different kinds is shown in the image below. In terms of taste, I really like both Lemon Drop (C. baccatum), and then yellow habanero style chilies (e.g. Hainan Yellow Lantern – the Chinese “Emperor Chili”, and Madame Jeanette, which is probably a related, Habanero style yellow chili but which originates from Surinam – these are all C. chinense chilies).

The “visual chili” department is much larger and difficult to sort out at this point. I am considering of trying out some new, multi-coloured varieties. I have experience from Bolivian Rainbow (C. annuum) and Numex Twilight (C. annuum) already. Both are nice, but there are just so many interesting plants out there! If you have any recommendations, please feel free to drop a comment below.

Chili seeds.
The current, “shortlist” selection of varieties to consider for the Chili Season 2020.

Testing Sigma 150-600mm/5.0-6.3 DG OS HSM Contemporary

I have long been thinking about a longer, telephoto range zoom lens, as this is perhaps the main technical bottleneck in my topic selection currently. After finding a nice offer, I made the jump and invested into Sigma 150-600mm/5.0-6.3 DG OS HSM Contemporary lens for Canon. It is not a true “professional” level wildlife lens (those are in 10 000+ euros/dollars price range in this focal length). But his has got some nice reviews on its image quality and portability. Though, by my standards this is a pretty heavy piece of glass (1,930 g).

The 150-600 mm focal range is in itself highly useful, but when you add this into a “crop sensor” body as I do (Canon has 1.6x crop multiplier), the effective focal range becomes 240-960mm, which is even more into the long end of telephoto lenses. The question is, whether there is still enough light left in the cropped setting at the sensor to allow autofocus to work reliably, and to let me shoot with apertures that allow using pretty noise-free ISO sensitivity settings.

I have only made one photo walk with my new setup yet, but my feelings are clearly at the positive side at this point. I could get decent images with my old 550D DSLR body with this lens, even in a dark, cloudy winter’s day. The situation improved yet lightly when I attached the Sigma into a Viltrox EF-M Speed Booster adapter and EOS M50 body. In this setup I lost the crop multiplier (speedboosters effectively operate as inverted teleconverters), but gained 1.4x multiplier in larger aperture. In a dark day more light was more important than getting that extra crop multiplier. There is nevertheless clear vignetting when Sigma 150-600 mm is used with Viltrox speedbooster. As I was typically cropping this kind of telephoto images in Lightroom in any case, that was not an issue for me.

The ergonomics of using the tiny M50 with a heavy lens are not that good, of course, but I am using a lens this heavy with a monopod or tripod (attached into the tripod collar/handle), in any case. The small body can just comfortably “hang about”, while one concentrates on handling the big lens and monopod/tripod.

In daylight, the autofocus operation was good, both with 550D and M50 bodies. Neither is a really solid wildlife camera, though, so the slow speed of setting the scene and focusing on a moving subject is somewhat of a challenge. I probably need to study the camera behaviour and optimal settings still a bit more, and also actually start learning the art of “wildlife photography”, if I intend to use this lens into its full potential.

My SIGMA 150-600 mm / Canon EOS M50 setup.

Hydroponics?

I have done my chili gardening so far only with traditional, soil-based methods. The results have been varied, and there seems to be the constant threat of pests, plant diseases, or improper amounts of water and nutrients while working with soil. I am not completely sure how real this observation is, but I think I have noticed that e.g. soil-based chili growing is something that some of the more passionate hobbyists have long left behind. After moving into hydrophonics (where nutrients and oxygen are moved with water flow to plant roots), then to aeroponics (use of moist air to nourish hanging root systems), some even have made use of the NASA experiments in the International Space Station to create “high pressure aeroponics” or ultrasonic “fogponics” systems, where very small, 50 micron droplet size is utilised, to stimulate the growth of fine root hairs (trichoblasts) that maximise the surface area of root system, and produce optimal crop yield with minimal amounts of water and nutrients. The related high-pressure pumps and misting nozzle systems are interesting in engineering sense, I admit.

The first seedlings, spring 2019.

I was personally merely considering the more prosaic “bucket bubbler” hydroponics setup, but even that proved a bit problematic in my case. (There is no electric line running into our greenhouse, where I was planning these hydroponic bubblers to be situated.) Thus, I have now turned towards “passive hydroponics”, which is probably the oldest way this has been applied: growing plants without soil. The version that I am now aiming at is internationally known as a “hempy bucket” method: a black/dark bucket is filled with a 3 parts perlite and 1 part vermiculite mix, where the chili seedling is planted. There needs to be a drill hole for excess water down in the bucket, at c. 2 inches (or c. 5 cm) from the bottom. One then waters the plant with a nutrient, hydroponic solution every other day, until the roots grow and reach the water reservoir at the bottom part of the bucket. The solution watering is then reduced a bit, to twice a week. The water reservoir, bucket microclimate and perlite-vermiculite substrate keeps the upper roots supported, nourished and moist, while also providing nice amounts of oxygen, while the submerged, lower parts of the roots deliver the plant plenty of water and nutrients. The final outcome should be a better and more controlled growing environment than what can be reached in typical soil-based gardening.

For more, see e.g.

Chilies: May 2017 update

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Tepin x Lemon Drop hybrid is the tallest plant at the moment. It has also started to bear fruit, already!

I have been growing a variety of chili peppers for a few years now, and the most of summers 2015 and 2016 were spent building and then testing the Juliana greenhouse that we use for extending the warm season here in Finland. This year however, April was the coldest in record, and there was no point in taking plants outdoors, when it would had just meant having the electric heater working around the clock (which means: expensive chilies!) Now, at the end of May, it finally looks like the unseasonal snow storms could be behind us (knocking on wood…) and this weekend has been the one when the greenhouse has been set up for business, most of the chilies have moved into bigger pots, while there has been also plenty of other work going on in our garden.

As I wrote earlier, I tried out the simple Ikea hydroponic system in germination and sapling phases. The early steps worked very well, and it seems that for indoor chili growing the setup is good for these first steps. However (partially due to the deferred Spring), I kept the saplings too long in the hydroponic setup – if large plants like chilies are grown in hydroponic manner, it needs to have a water pump installed, that keeps the nutritious water flowing over the roots, rather than just soaking them. I did not have the pump, and ended up in troubles, with growth of some plants suffering, and even losing a couple of important chili varieties. I moved the remaining plants into soil and pots in early April, if I remember correctly, but I should had done that much earlier. The growth was strong after the move, even while growing plants had to get along on the windowsill, without any extra plant lights from that onwards.

2017-05-21 13.07.31
Scorpion, one from Messukylä school sale.

Luckily, there was the school yard sale in the local Messukylä school, where again hundreds of plants, dozens of chilies included, were available, so I could supplement my selection. I lost all my Aji varieties, and both of my extra hot varieties, “7 pot Brain Strain Yellow” and the Bhut Jolokia. But from the school sale I managed to get both a new Bhut Jolokia, as well as a Moruga Scorpion – both traditionally top of the line, as long as heat is measured. And there were also a couple of interesting habanero varieties that I picked up, as well as something that was called “Jalapeno Hot”. I have only tried rather mild japapenos so far, so it is interesting to see how that will turn out.

Here are some photos from the chilies at this point, 21st May: the school yard saplings are much smaller than the ones that I had grown in hydroponics and then in pots starting in January. The “Naga” (Bhut Jolokia) is particularly small, hopefully it will survive the move into a larger pot, it does not have particularly strong roots yet.

2017-05-21 13.10.13
My “Madame Jeannette” habanero is growing strong, though still indoors.

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Pequin Firecracker is also making nice growth right now, it should move to the greenhouse in near future, I think.

Talking about roots, I try this time using a specific commercial nutritient, Biobizz “Root Juice”: it is an organic “root stimulator” designed to boost root growth. As I had a gift voucher to a local chili gardeners’ store (thanks, Gamelab colleagues!), I have now also other nutritients to try – sticking to Biobizz products, per shopkeeper’s advice in soil based chili cultivation.

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“Root Juice”.

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My other tools in testing: “Top-Max”, “Bio-Bloom”, “Bio-Grow” by Biobizz (company is originally from the Netherlands), and also the Finnish classic, “Jaakon taika” (a photosynthesis booster).

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Gardening can provide many rewards.

xx

Chilli crops, preparing and dehydrating, greenhouse project

My chillies are producing chillies – of many varieties, and enough for any reasonable uses I can personally come up with. Here are again some photos, both of ripe and fresh chillies, and also about the preparation for preservation. I have decided to dry and make rough, spicy powders of two most high-yielding chilli varieties, Fire Flame and Thai Rawit. Those should be good for hot pots, curries and other similar uses. Those selected chillies that have provided only small number of fruit, I decided to freeze as whole. Dropping a thawed chilli into a meal is an optional use for those. My dehydrator is a cheap “House” model from local Prisma department store, but it has quiet operation, nice temperature controls and appears to do it job well enough. Slicing chillies for dryer takes its time, but has also somewhat meditative character.

Greenhouse: Waiting for the harvest

This is the first summer when our greenhouse is in use. So far everything seems to have gone just fine, even while we have been so busy in other areas that we have not really got so much time for the garden or the greenhouse. Even with just minimal care, most greenhouse plants seem to do well – Laura’s tomatoes exceedingly so, they have grown into real giants. My chillies would had profited from earlier change to the greenhouse and to larger pots, but I did not have the electric heater at that time. So my plants are mostly small to medium in size, but on the other hand the idea of this first summer was not so much to maximise the crop, but to test a wide variety of plants, and then see where to specialize in the future. For that purspose, my small but fruit-filled plants suit very well. Here are some photos taken from the greenhouse today.

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