I wanted to revisit my old gear tonight, so I dug up my trusty EOS 550D, coupled with the BG-E8 battery grip and the classic, Canon 70-200mm f4L USM lens. The Friendly Cat provided again the modelling services.
I was immediately reminded by the obvious strengths of this older, bigger camera body: the ergonomics are just so much better when you can really hold the camera comfortably and steadily in your hand, and have large, mechanical control knobs that you can quickly and effortlessly experiment with.
On the other hand, the limitations were again also immediately obvious; in particular, the mirrorless digital camera (EOS M50) that I am mostly using these days allows one seamlessly move from using the viewfinder to the live view in the rear display, while making the composition. 550D also has rear display live view, but you need to specifically switch it on, and it is slow and imprecise, and the autofocus in particular is just terrible when shooting with it.
The optical viewfinder, on the other hand, is excellent, and the very limited nine (9) AF points do their job just well enough for this kind of slow “portrait” work. The low maximum ISO of 6400 also does not matter when taking pictures under the bright evening sun, and sharpness of that old Canon L lens fits nicely the 18-megapixel image sensor’s resolution capabilities.
Thus, if I would think about a “perfect camera” for my use, I would be happy with current M50 image sensor resolution (24,1 megapixels), but I would be really happy for a bit more capable autofocus system, and for more low-light performance in particular. The single most beneficial upgrade could however be a body with larger physical dimensions, with better/larger mechanical controls for selecting the program mode, aperture, and making the other key adjustments.
While the new EOS R series Canon cameras provide exactly that, the issue for me is that those are full frame cameras; and I am very happy in taking my photos with APS-C (the “crop sensor”). Full frame lenses, and new Canon RF lenses in particular, tend to be both large and expensive to a degree that does not make much sense for my kind of “Sunday photographer”.
There are alternatives like Fujifilm, with their excellent APS-C camera bodies (X-T30, X-T4, for example), and their sharp and relatively compact and affordable lenses. But I am deeply invested in the Canon ecosystem – it would be so much easier if Canon would come up with a well-designed camera like Canon 7D Mark II, but updated and upgraded into current, mirrorless sensors’ and image processors’ capabilities. One can always make wishes? Happy weekend, everyone!
While learning to take better photos with within the opportunities and limitations provided by whatever camera technology offers, it is also interesting now and then to stop to reflect on how things are evolving.
This weekend, I took some time to study rainy tones of Autumn, and also to hunt for the “perfect blues” of the Blue Hour – the time both some time before sunrise and after the sunset, when indirect sunlight coming from the sky is dominated by short, blue wavelenghts.
After a few attempts I think I got into the right spot at the right time (see the above photo, taken tonight at the beach of Hervantajärvi lake). At the time of this photo it was already so dark that I actually had trouble finding my gear and changing lenses.
I made the simple experiment of taking an evening, low-light photo with the same lens (Canon EF 50 mm f/1.8 STM) with two of my camera bodies – both the old, Canon EOS 550D (DSLR) and new EOS M50 (mirrorless). I tried to use the exact same settings for both photos, taking them only moments apart from the same spot, using a tripod. Below are two cropped details that I tried to frame into same area of the photos.
I am not an expert in signal processing or camera electronics, but it is interesting to see how much more detail there is in the lower, M50 version. I thought that the main differences might be in how much noise there is in the low-light photo, but the differences appear to go deeper.
The cameras are generations apart from each other: the processor of 550D is DIGIC 4, while M50 has the new DIGIC 8. That sure has a effect, but I think that the sensor might play even larger role in this experiment. There are some information available from the sensors of both cameras – see the links below:
While the physical sizes of the sensors are exactly the same (22.3 x 14.9 mm), the pixel counts are different (18 megapixels vs. 24.1 megapixels). Also, the pixel density differs: 5.43 MP/cm² vs. 7.27 MP/cm², which just verifies that these two cameras, launched almost a decade apart, have very different imaging technology under the hood.
I like using both of them, but it is important to understand their strengths and limitations. I like using the old DSLR in daylight and particularly when trying to photograph birds or other fast moving targets. The large grip and good-sized physical controls make a DSLR like EOS 550D very easy and comfortable to handle.
On the other hand, when really sharp images are needed, I now rely on the mirrorless M50. Since it is a mirrorless camera, it is easy to see the final outcome of applied settings directly from the electronic viewfinder. M50 also has an articulated, rotating LCD screen, which is really excellent feature when I need to reach very low, or very high, to get a nice shot. On the other hand, the buttons and the grip are just physically a bit too small to be comfortable. I never seem to hit the right switch when trying to react in a hurry, missing some nice opportunities. But when it is a still-life composition, I have good time to consult the tiny controls of M50.
To conclude: things are changing, good (and bad) photos can be taken, with all kinds of technology. And there is no one perfect camera, just different cameras that are best suited for slightly different uses and purposes.
I have been using the new Canon EOS M50 mirrorless system camera now for a month or so. The main experiences are pretty positive, but I have also some comments on what this camera is good and not so optimal for.
In terms of image quality and feature set, this is a pretty complete package. Canon can make good cameras. However, the small physical size of this camera is perhaps its most defining main characteristic. This means that M50 is excellent as a light and small travel companion, but also that it has too small grip to carry comfortably this body when there are some heavy “pro” lenses or telephoto lenses attached. One must carry the system from the lens instead.
I really like the touch screen interface of M50. The swiveling LCD is really functional, and it is easy to take that quick photo from extra low or high angles. The LCD touch interface Canon uses is perhaps the best in the market today: it is responsive, well designed and logically organised. This is particularly important for M50, since it has only few physical buttons, and a single rotating control. Photographer using M50 needs to use the touch UI for many key functions. This is perhaps something that many manual-settings oriented professional and enthusiast photographers do not like; it you like to set the aperture, exposure time and ISO from the physical controls, then M50 is not for you (one should consider e.g. Fujifilm X-T3 or T30 instead). But if one is comfortable working with electronic controls, then M50 provides multiple opportunities.
My old EOS camera had only few (nine) autofocus points (phase-detect), and only the single point in the middle was with the fast, cross-type AF. This M50 has 99 selectable AF points (143 with some lenses), covering 80 % of the sensor area (dual-pixel type). Coupled with the touch screen, this change has had an effect on my photography style. It is now possible to first compose the photo, look through the electronic viewfinder, and simultaneously use a thumb to drag the AF point/area (in a “computer mouse/touchpad style”) to the desired point in the screen. I am not completely fluent in this technique yet though, and my usual technique of center focusing first, then half-pressing to lock the focus, and then quickly making the final composition, and shooting, is perhaps in most situations quicker and simpler than moving the focus point around the screen. But since M50 remembers in Program mode (which I use most) where the AF point was left the last time, the center focusing method does not work properly any more. I just need to learn new tricks, and keep moving the AF points in the screen (or, let the camera do everything, in Full Auto mode, or go into Manual mode, and do focusing with the lens ring instead.
As a modern mirrorless camera, M50 is packed with sensors and comes with a powerful DIGIG8 processor, bright LCD screen and electronic viewfinder. All of this consumes electricity, and the battery life of M50 is nowhere near my old 550D (which, btw, also had an extra battery grip). A full day of shooting takes either two or three fully loaded LP-E12 batteries. Thus, this camera behaves like a smartphone with poor battery life. You need to be using that battery charger all the time. (The standard rating is 235 shots-per-charge, CIPA.)
When travelling, I have been using a lot the wireless capabilities of M50. It is really handy that one can move full resolution, or reduced resolution versions of photos into an iPhone, iPad or Android device while on the go. On the other hand, this is nowhere as easy as when shooting and sharing directly from a smartphone. Moving typical 200-300 photos from a shooting session into an iPad for editing and uploading is slow, and feels like it takes ages. (I have not yet cracked how to get the advertised real-time Bluetooth photo transfer to work.) The traditional workflow where the entire memory card is first read into a PC and processed with Lightroom makes still better sense, but it is nice to have the alternative, for mobile processing and sharing some individual photos at least.
Many reviewers of M50 have written a lot about the limitations of 4K video mode (high crop factor, no dual-pixel autofocus). I use video rarely, and then only full HD, so that is not an issue for me. There is an external microphone input, which might be handy, and the LCD screen can be turned to point forward, if I ever go into video blogging (not that I plan to do it).
The main plusses for me in M50 are the compact size, the excellent touch UI, and very nice image quality in still images. That I can use both the new, compact EF-M mount lenses, and (with adapters) also the traditional Canon EF lenses was a major factor when making the purchase decision, since the lens collection of a photographer is typically much more expensive part of the equipment, than the body only. Changing to Nikon, Fuji or Sony would have been a big investement.
The autofocus system in M50 is fast, and in burst mode the camera can shoot 10 fps for 30 jpg shots in a row to fill the buffer. I am not a sports or wildlife photographer as such, so this is good enough for me. A physically bigger body would make the camera easier to handle with large and heavy lenses, but shooting with a large lens is a two-hand operation in any case (and in some cases requires using a tripod), so that is not so critical. I still need to train more to use the controls and switch between camera modes faster, and touch interface is probably never going to be as fast as using a camera with several dedicated physical controls. But this is a compromise one can make, to get this feature set, image quality and lens compatibility in this small package, in this price.
I have today started to learn to take photos with an ultra-compact EOS M50, after using the much bigger SLR or DSLR cameras for decades. This is surely an interesting experience. Some of the fundamentals of photography are still the same, but some areas I clearly need to study more, and learn new approaches.
These involve particularly learning how to collaborate with the embedded computer (DIGIG 8 processor) better. It is fascinating to note how fast e.g. the automatic focusing system is – I can suddenly use an old lens like my trusty Canon EF 70-200mm f/4 L USM to get in-flight photos of rather fast birds. The new system tracks moving targets much faster and in a more reliable manner. However, I am by no means a bird photographer, having mostly worked with still life, landscapes and portraits. Getting to handle the dual options of creating the photo either through the electronic viewfinder, or, the vari-angle touchscreen takes some getting used to.
Also, there are many ways to use this new system, and finding the right settings among many different menus (there must be hundreds of options in all) takes some time. Also, coming from much older EOS 550D, it was weird to realise that the entire screen is now filled with autofocus points, and that it is possible to slide the AF point with a thumb (using the touchscreen as a “mouse”) into the optimal spot, while simultaneously composing, focusing, zooming and shooting – 10 frames per second, maximum. I am filling up the memory card fast now.
It is easy to do many basic photo editing tasks in-camera now. It actually feels like there is small “Photoshop” built into the camera. However, there is a fundamental decision that needs to be made: of either using photos as they come, directly from camera, or after some post-processing in the computer. This is important since JPG or RAW based workflows are a bit different. These days, I am using quite a lot of mobile apps and tools, and the ability to wirelessly copy photos from the camera into a smartphone or tablet computer (via Wi-Fi, Bluetooth + NFC), in the field, is definitely something that I like doing. Currently thus the JPG options make most sense for me personally.