Special Issue: Reflecting and Evaluating Game Studies – Games & Culture

This is now published:

Games & Culture:
Volume 12, Issue 6, September 2017
Special Issue: Reflecting and Evaluating Game Studies
(http://journals.sagepub.com/toc/gaca/12/6)

Guest Editors: Frans Mäyrä and Olli Sotamaa

Articles

Need for Perspective:
Introducing the Special Issue “Reflecting and Evaluating Game Studies”
by Frans Mäyrä & Olli Sotamaa
(Free Access: http://journals.sagepub.com/doi/pdf/10.1177/1555412016672780)

The Game Definition Game: A Review
by Jaakko Stenros

The Pyrrhic Victory of Game Studies: Assessing the Past, Present, and Future of Interdisciplinary Game Research
by Sebastian Deterding

How to Present the History of Digital Games: Enthusiast, Emancipatory, Genealogical, and Pathological Approaches
by Jaakko Suominen

What We Know About Games: A Scientometric Approach to Game Studies in the 2000s
by Samuel Coavoux, Manuel Boutet & Vinciane Zabban

What Is It Like to Be a Player? The Qualia Revolution in Game Studies
by Ivan Mosca

Unserious
by Bart Simon

Many thanks to all the authors, reviewers, and the staff of the journal!

Keynote, EDEN 2017 – Diversity Matters!

EDEN 2017 keynote, Frans Mäyrä
EDEN 2017 keynote, Frans Mäyrä

Next week, I will take part in EDEN 2017 – the annual conference of the European Distance and E-Learning Network – in Jönköping, Sweden. I am proud to present an invited keynote in the first conference day, 14th June. Titled “Multidimensional Ludic Literacy: Diversity in Game Cultures” my talk is aimed to build bridges between the multiple dimensions needed to understand and constructively engage with games and play (the ludic literacy), and the issues related to diversity in game cultures. Looking forward to an interesting exchange of ideas. (Btw, this is also the first public appearance of the Centre of Excellence in Game Culture Studies logo – test driving it: the CoE officially starts its operational period from January 2018.)

See the full conference program here: http://www.eden-online.org/2017_jonkoping/wp-content/uploads/2017/05/Conference-Programme.pdf.

Todellisuutemme tulevaisuus? Nuorten filosofiatapahtuma 2017

[Talked in Finnish about the future of “real” and “virtual” in Helsinki today.] Osallistuin alustajana ja panelistina tänään Nuorten filosofiatapahtumaan. Oma esitykseni (ks. runko alla) pyrki virittelemään pohdintaa ja keskustelua siitä, mihin tulevaisuudessa voi mahdollisesti johtaa ne käynnissä olevat kehityskulut, missä “vaikuttavat mutta ei-materiaaliset” todellisuutta rakentavat kehykset ja kerrokset tulevat keskellemme, ja ohjaavat osaa ihmisistä ajattelemaan, aistimaan, tietämään ja toimimaan – mutta suuri osa väestöä toisaalta ei jaa samaa todellisuutta.

Aineettomien ideoiden vaikutus on perustava kaikkien meidän arkisessa elämässä, ja todellisuuden sosiaalinen rakentuminen muovaa jatkuvasti sitä keitä olemme ja miten ymmärrämme maailmamme. Tässä tilaisuudessa pohdinnan kohteena oli erityisesti uudenlaiset, potentiaalisesti keskenään ristiriitaiset, mutta samoihin tiloihin ja tilanteisiin levittäytyvät pelien, informaation ja sosiaalisen vuorovaikutuksen todellisuuskerrokset. Kuinka tasa-arvon, vallan, yksityisyyden, rahan/arvon, työn/vapaa-ajan ja maailman muuttamisen tai “eskapismin” kaltaiset kysymykset muotoillaan kenties uudelleen, kun nämä kehityskulut ottavat tulevina vuosina seuraavat askeleensa. Kuinka niihin on syytä varautua, millaista peli-, informaatio- ja medialukutaitoa täytyy vaalia ja kehittää että pahimmat uhkakuvat eivät toteutuisi? Kiitokset kaikille keskustelukumppaneille, paikalla oli poikkeuksellisen fiksua, kriittisesti ja laajakaarisesti ajattelevaa väkeä!

CFP: GamiFIN conference 2017, ext-dl: 31 January, 2017

CFP GamiFIN Conference 2017
Pori, Finland

http://gamifinconference.com
9th to 10th May 2017

Submissions due on:
EXTENDED DEADLINE 31th January, 2017

Selected contributions will be published in special issue of International journal of Serious Games

+ Open-access online conference proceedings (CEUR-WS)

* GamiFIN 2017 is proud and delighted to announce our confirmed keynote speakers, we do have a great combination of excellence around gamification: Dr. Sylvester Arnab, Reader in Game Science, Coventry University (UK), Dr. Sebastian Deterding, a senior research fellow at the Digital Creativity Labs, University of York (UK) and Dr. Juho Hamari, a Professor of Gamification at UCPori and a leading researcher at the Game Research Lab University of Tampere. Exciting lectures ahead concentrating on e.g. the current state of the art in the field of academic research on gamification, why gamification needs theory and how to transform ordinary tasks into extraordinary experiences. Be sure not to miss these key-talks next May in Pori, Finland!

We are pleased to invite you to GamiFIN conference, on 9th to 10th of May 2017 in Pori, Finland. GamiFIN is a meeting place where researchers, industry and experts present results from their latest work regarding gamification, technology, media and digital culture for the future society.

GamiFIN is a concept made up by University Consortium of Pori. GamiFIN brings together people not only from different fields of academia but also from different sectors such as companies and other institutions. GamiFIN is a great opportunity to present your novel and ground-breaking research results, benefit from the interaction with industry and practitioners and to get new ideas how to utilize gamificational approaches in research as well as in industrial level.

The GamiFIN conference features e.g. the following major themes:

  • Gamification, ludification, playfulness
  • Industry and gamification
  • Gamification of public events such as concerts, sports events etc.
  • Wellbeing and gamification
  • Sustainability, ecological solutions
  • Customer services gamification
  • Funification
  • Gamification of mathematics
  • Gamification of data collection
  • Gamification of research

CONFERENCE PUBLICATIONS

The authors of the selection of the best papers will be invited to publish their work as an article in a special issue of the International Journal of Serious Games.

All the papers accepted to the conference, will be sent for consideration in open-access CEUR Workshop Proceedings. CEUR-WS.org is a recognized ISSN publication series with ISSN 1613-0073. After acceptance, the proceedings will be published as a GamiFIN Conference 2017 volume. (In the Finnish classification of publication forums, CEUR-WS-proceedings are classified as Jufo 1)

SUBMISSION GUIDELINES 

There are two different tracks you can submit your proposals to:

1) academic and 2) industrial

In the academic track, the papers should contain 4 -6 pages, including the list of references. Papers are expected to contribute the field of gamification, based on the different themes of the conference. The contribution has to be original, novel, well written and scientifically ensure the validity of the presented results.

The industrial track serves the participating companies by offering demo sessions where current and on going work can be presented. Contributions concerning development, business cases, marketing, strategy, case studies, best practices and lessons learned etc. are welcomed. In industrial track, please submit 1-page position paper. All academic submissions will be peer-reviewed double blinded. The industrial submissions should include a short biography of the author / presenter, and description of their organization.

Extended deadline for submissions is 31th of January, 2017.

Retrospect, 2016, 2006, 1996, and beyond

I am not particularly good in remembering things, which makes annually returning cycles of breaks and opportunities for reflection challenging, yet also very useful.

Year 2016 was exceptionally burdersome year for many reasons, but among much sadness and strain, there were also many happy things, and quiet progress that is important, but that will most likely surface only later. If I’d have to name one thing, I would say that 2016 was the “Year of Pokémon GO”, as both in personal life as well as professionally, that single location based, social experience coloured much of the latter part of the year in particular.

Randomly sampling the past, in ten year intervals, in 2006, I notice from my records that I was making several public talks about ludic literacy. For example, in one publication I sketched six dimensions of skill sets that each build on top of each other: 1) fundamental ludic understanding (“this is play, game has rules”), 2) functional gaming skills (“this game works this way”), 3) strategic and meta levels of game skills (“this way of playing is interesting / makes sense for me”), 4) social ludic skills (“this is what makes playing fun for other, this is why these people want to play”), 5) creative and productive game play skills (“this game can be extended, or reimagined in these ways”), and 6) literacy related to media in general (“this game is produced to make money this way, its marketing and business strategies rely on this kinds of principles”. (I seem to have worked on a longer article on the topic, but the last draft of that was marked “version 0.5”, so I guess other worked ran over that one.)

In 1996, I was working on the manuscript of Koneihminen article anthology (The Man-Machine), which was a wide-ranging exploration into the multiple cultural roles that technology holds in our lives – as a living environment, as an integral element that extends as well as shapes, and limits our individual and social subjectivy and agency, as well as an evolving and chancing source of various aesthetic experiences. It is interesting to read about the reflections of technological ambivalence, and critiques of 1990s techno-romanticism today, when two decades have changed the landscape of technology into something considerably more pervasive, but also into something more banal. It is certainly true that in 1990s we were considerably more naive regarding the pace of cultural change, and what was really important and what not so, but looking around at turn of 2016/2017, much of both the utopian and dystopian elements of technological imagination are now reality. The more philosophical dimensions of technologically informed subjectivity would clearly benefit from a revisit, or two.

In 1986, I was early in my studies of comparative literature in the University of Tampere. Sadly, it seems that I do not have any digital notes saved from the time before 1991, due to the multiple changes in those years, one of the most important technical ones being the move from Commodore 64 to some early 286 PC that caused me losing my records. Only some backups coming from my Unix account from early 1990s has survived. The C64 floppy disks still just might be somewhere, but I have neither hardware or software to access them, any more. Digital amnesia? But I still remember for example typing rather long essays and seminar works on C64 “Sanatar” word processing software (AmerSoft, 1984) – and then using the same home computer at nights to play AD&D adventure “Pool of Radiance” (SSI, 1988), slowly, sometimes with painful failure rate, but endlessly fascinated. Long Finnish summer nights were filled with light and bird song, also in 3 or 4 am, when I remember holding a break in my upstairs student apartment, stepping outside of the Forgotten Realms for a while.

Remembering is good for us. I link below the slides that I prepared for “Personal gaming histories” course this fall – no commentary this time, but maybe the pictures also tell some stories. Times, they are a-changing.

(PS – these exercises remind us, how our lives do not equal to “life stories”, consistent, logical, progressive wholes. They just present us these constant challenges for sense making, always more or less retrospective.)

CFP: DiGRA 2017, Australia

Call for Participation DiGRA2017: The 10th Digital Games Research Association Conference

We are delighted to announce the Call for Participation for DiGRA 2017, to be held July 3-6 2017, at Swinburne University of Technology in Melbourne, Australia.

DiGRA 2017 will bring together a diverse international community of interdisciplinary researchers engaged in cutting edge research in the field of game studies. DiGRA 2017 is supported by Swinburne University of Technology, RMIT, The University of Sydney and The University of Melbourne. The conference welcomes submissions on a wide range of topics associated with studies of games and play.

For an expanded CFP see the conference website: www.digra2017.com.

Important Dates
– Submission date (workshops): 20 January 2017
– Acceptance/rejection notification (workshops): 27 January 2017
– Submission date (all submissions except workshops): 26 February 2017 (hard deadline)
– Acceptance/rejection notification (all submissions except workshops): 25 March 2017
– Camera ready: 15 April 2017 Conference dates: 3-6 July 2017

Submission Types
We welcome a range of contributions to DiGRA2017. These include, full papers, extended abstracts, panel and workshop proposals, doctorial consortium participation as well as proposals for events and other activities that fall outside the academic tradition.

Full papers will be peer-reviewed, published on the conference website and in the conference proceedings available on open-access through the DiGRA digital library.

All other submissions will be reviewed by the conference organization committee. These submissions will be published on the conference website, but will not be included in the conference proceedings published through the DiGRA library.

For an expanded CFP see the conference website: www.digra2017.com.

Suomen Pelimuseo, The Finnish Museum of Games

The Finnish Museum of Games (Suomen Pelimuseo) was open for the first time tonight; this event was only for the various partners who had made the museum possible, experts and makers, as well as to the important donators in the crowdfunding campaign. Pelimuseo is the first public organisation in Finland which has successfully run a crowdfunding effort to realise its goals: there were over 1100 people and organisations who took part (our UTA/SIS Game Research Lab was one).

This first look was exiting experience, and already convinced me that this museum will be a major success story. There is so much pent-up need for re-experiencing, reflecting and sharing of game culture, play histories and digital cultural heritage of the past decades that it is obvious this museum will have to face the positive problem of how to facilitate the requirements coming from its popularity. That is at least my feeling on the basis of this first evening, as a large crowd of game enthusiasts, parents with their kids, game designers, game scholars, game educators, historians, journalists, members of gaming subcultures of various kinds gathered together to celebrate and re-experience some of the formative elements from their personal pasts, as well as to meet for the first time some forgotten gems of digital, as well as analog (e.g. board game, rpg, larp) games of the past.

The Finnish Museum of Games will officially open its doors to audience in January 2017. It is located in Vapriikki museum centre, in Tampere. More at: https://suomenpelimuseo.fi/.